Arts and Entertainment
Mr. Zhang Believes
A Film Review
Traditionally, film festival pieces are known to push boundaries and be more artistically daring than your average blockbuster affair. But the space in which director Qiu Jiongjiong plays with his film Chi (癡) is one that even has the artistic community a bit stunned. The film, which has been alternately named Mr. Zhang Believes, has been described as a hybrid documentary—one that blends theatrical fiction and autobiography. Existing in relatively uncharted territory, hybrids bravely blur the lines of categorical boundaries.
Back to the North (向北方)
A Film Review
Thirty years—a generation’s worth of time—after the policy was first implemented is where Beijing-based director, Liu Hao, begins the conversation. As also the writer of the feature film, Liu builds an engaging story around this timely social issue, allowing viewers to get personal with what’s really happening in China.
Himalaya: Ladder to Paradise
A Film Review
Ladder to Paradise (2015)
Directed by Xiao Han and Liang Junjian
Reviewed by Hannah Lau.
Avoiding Extremes
When it comes to China reporting, two of my favorite writers are Peter Hessler and Evan Osnos, both of whom write for The New Yorker. They recently took part in a forum hosted by Asia Society to examine four decades of reporting on China by the magazine. Editor David Remnick moderated the event, and joining the conversation were three other New Yorker writers, Orville Schell, Zha Jianying, and Jiayang Fan.
Chinese Movies for Religious Eyes
It dawned on me recently that no one has commented on a recent phenomenon: famous Chinese movie directors injecting Christian and related religious elements into contemporary Chinese movies.